“A beautiful blend of country and folk . . . Holly’s vocals are tender, warm and quite evocative with each song taking the form of a story or tale. Steve’s guitar playing complements Holly’s vocals perfectly giving each of the songs depth and character . . . it is worth taking time to listen to the lyrics as they hold the key to this feast of musical delights . . . there are hints of Nickel Creek and Alison Krauss but Neptune’s Car do not need to be compared to any other artists. This is a strong musical duo whose music can stand on its own two feet . . . The songs are beautiful and the overall atmosphere created is perfect.”— Maverick Magazine

After Holly Hanson wrote “Lighthouse Keeper” to help her boys with homeschool lessons, she decided they should live in a lighthouse. For an entire week, they were the keepers of an island lighthouse off the coast of Newport, Rhode Island. Steve Hayes is the other half of this personable Americana duo, contributing his own well-crafted songs, as well as some damn good guitar work. They offer music in a down-to-earth style that is so good the prestigious Great American Song Contest called their “Fly Fishing the Big Hole” “. . . vivid, focused and engaging,” and added, “It’s a pleasure to hear songs of this caliber.”
     Holly’s light soprano blends perfectly with Steve’s warm tenor. Vibrant lyrics and compelling melodies nestle in inviting arrangements, telling us stories rich in detail, from a miner’s life in “A Blue Sky Turned to Rust,” to “Emily Dickinson,” told with lyrics as beautiful as the poet’s work. “Saugerties, New York” uses this charming town as the backdrop to a romantic weekend at a lighthouse where you have to time your arrival so the tides will be out. The title cut of their most recent release, The 45th Parallel, is an engaging road song. With a laid-back feel of guitars, bass, and harmonies, you can envision that broken white line slip by as they sing: “The moon it glows like embers in the branches of the pines / In this small town in September on this parallel line.” The 45th Parallel is their third album. They are currently composing songs for their fourth.
     Their unique name comes from the true story of a clipper ship captained by Mary Patten. In 1857, despite being pregnant, caring for her sick husband, and fighting off mutiny from the first mate, Mary successfully navigated the ship, Neptune’s Car, around Cape Horn to San Francisco.
     Steve comes from a musical family, from a grandfather who played guitar, banjo, and ukulele, to his brother, a founding member of Old Crow Medicine Show. He’s an award-winning guitar player who can play just about anything with strings; from his first gig at age thirteen, to his ten-year association with Holly, he’s played all kinds of music including rock, country, jazz, funk, blues, and, of course, folk. Holly played music all through school, then took a twenty-year hiatus to raise her kids. She started writing music for her children’s lessons – “In the Blue Room” (Letters from the Road), grew out of a lesson about the constellations. After a successful open mike appearance, she jumped back into performing. You can hear several influences in Steve and Holly’s music, from vivid story songs like John Prine’s, to intricate guitar work inspired by Tony Rice.

Whether they’re playing an intimate house concert or on the main stage at the Falcon Ridge Folk Festival, you’ll love their welcoming presence and song variety. They’ve shared the stage with Bill Staines, Anne Hills, Archie Fisher, and many others. Their songs have charted on the Folk-DJ list – in 2015, The 45th Parallel was number twenty on the CD chart; quite impressive when you realize DJs receive hundreds of CDs a year. Public radio’s popular CarTalk has featured their songs three times.
     If you’re looking for watertight harmonies, tasty guitar, and solid songs, look no further than Neptune’s Car. You might want to check the nearest lighthouse, too.

The 45th Parallel charted at #2 in February 2015 and included two #5 songs, “The 45th Parallel” and “A Blue Sky Turned to Rust.”




Raised on Connecticut Coffeehouses, fine-tuned in the Midwestern Cornfields. Troubadour with a memory like a steel trap. If Eric has not played your town before – it is only a matter of time…

“One last thing. Who is Eric Nassau? Is best friend you ain’t seen in a long time, is rock-salt and whiskey-dipped licorice. Is an Iowa radio tower 2:35 a.m. and buzzing honey goldenrod field high noon. Saw-toothed and wide-eyed. Voice, strings, words. You and me.” (

Lee Wright2

Topeka’s own Lee Wright, who grew up singing at his church in western Kansas, got into folk during its 1960s heyday, when acts like Bob Dylan and Joan Baez brought it into the national spotlight. Since then, Wright has been involved in several concerts, hootenannies and get-togethers in Topeka, including a opening spot for the Kingston Brothers at a gig at the Bitter End Club near Burnett’s Mound.