Last Minute Folk Concert Series welcomes Ellen Bukstel for her first visit to the LMF Concert Stage on Saturday October 8th, 2016.
From Menopause to Marijuana! …Peace to Politics! …Poignant to Provocative! …Ellen Bukstel writes and sings about it all! This type of happy-sad, life embracing, fear-overcoming emotional schizophrenia truly captures the spirit of modern independent music making—whatever the artist feels in that moment, she shares…and whatever else Ellen is, she’s not shy about it. For Bukstel, music is a way of expressing her joys, her sorrows and her passions —bringing her listeners to tears and laughter and sometime both at the same time.
“Ellen is a multifaceted, award winning songwriter/entertainer with a flare for the audacious! She’ll crack you up with her wit and unabashed honesty in her songs about kids, partnerships and the inevitable aging process. Then turn your head and heart with poignant songs about freedom, tolerance and taking a stand!”
-Mindy Simmons Singer Songwriter / President, Sarasota Folk Club
Renowned as an activist who puts her passions to song, Ellen has been commissioned to write songs and produced numerous multiple award winning fundraising music videos which have collectively helped to raise almost one hundred million dollars since 2006 and are being used as tools to raise awareness of important social issues.
Her songwriting journey began after losing her husband Doug Segal to AIDS in 1988. Doug was a hemophiliac who contacted HIV from his blood products and died at age 36 leaving Ellen with their three children Brett, Todd and Margo. Doug and Ellen spoke out publicly hundred of times sharing their personal story in schools, churches, synagogues, educating the community about AIDS.
Ellen expresses her imagination with her beautiful voice, guitar and keyboard. Her award winning songs chronicle the joys and sorrows of a colorful tapestry still being woven…She conveys love and a depth of concern for the ever-increasing threats to our world and to our own individual rights. All this is related to the audience through a brave, though humorous and earthy connection between the world of musical performance and that of the social “bard” or “troubadour” from which the most powerful and relevant strand of folk music derives it’s roots. It’s not an act. It’s real.